The Orchard

As an addendum to the most recent Shimer dinner, here's a note on our last (both our most recent and, I think, ultimate) trip to Cambridge. Michael, Heath and I took advantage of the OSAP bus ride there last Saturday while the rest of the Shimer gang was cooking up the storm pictured in Kim's post below. Part of the morning we spent on a stroll through King's College Chapel with our Cambridge City tour guide, who offered a few insights on the symbolism in the masonry. I took a few shots this time through of the amazing "perpendicular Gothic" fan-vault ceiling (and offer one here to illustrate why the Chapel bears revisiting).

The tour ended, I dragooned Michael and Heath for a ramble through the fens toward Grantchester, a little hamlet about two miles southeast of Cambridge. There we had (an expensive and not too filling) lunch under the (still leafless) boughs of the apple trees at the The Orchard Tea Garden. (They also endured me taking the obligatory photo, below). Going on a century now, The Orchard has been a playground for Cambridge worthies, starting really with a crowd that revolved around the poet Rupert Brooke. Brooke is mainly known today for his poems from the front in the First World War, where he was killed in 1916. But it was the hende Brooke who also drew together the likes of Bertrand Russell, E.M. Forster, Virginia Woolf, Ludwig Wittgenstein, and John Maynard Keynes to The Orchard in a sort of movable (and, judging from their letters, sometimes catty) feast of politics, belle lettres, and logic games. The place is also storied for being just up the River Cam from Byron's favorite swimming hole. The Orchard does still have its charm. But it seems to have given way to its own celebrity. Only ten years ago (when I myself was last there) the walk through the fields was still dirt and gravel; now it's paved. The kitchen seems to cater mainly to high end tourists and families looking for a late morning haven. Though we're told that reveling students still descend on the place during the so-called "May Balls" which actually take place after exams in June, one wonders where Cambridge's current Rupert Brookeses and Virginia Woolfs make their forays during the off season. All in all, it was a pleasant outing, but it was also nice to be treated to the warmth and fun of our own little Shimer scene in Oxford when we returned.

The Shimer Oxford Family Dinners

Whew, we are NOT eating like college students this term! We’ve made a point of getting together weekly for a pot-luck (Raya & Alex kicked us off on making this a regular thing). These dinners have turned into us all into Foodies! One Saturday, Raya and Matt made an EXCELLENT lasagna, Alex- brushetta worthy of your mortal soul, lemon-balsamic salad (Kim), and Kate a tiramisu that came from a little tiny section of heaven I like to think of as Bailey’s, Coffee, and Chocolate Central. On Sat 2/28 we had our first Tapas theme- See pics below, but as for menu: stuffed dates with Walnuts and cheese (Lila), Baked Prosciutto cups with seasoned rocket greens and shaved parmesan (Matt), 3- humus mixes and pita (Alex), chorizo, white-wine steamed fresh mussels, lemon- caper artichoke salad (Kim), Cashew bake-yum (Raya), Brushetta with fresh mozzarella and bread (Tory), Home baked Shortbread with Raspberry filling (Kate), Mushroom & Aioli open faced bread, various cheeses, wines, and Mojitos with fresh mint to kick us off. It was a feast!!!! Wish you were all here! J

From Kim

First, Shimer College in Oxford Blog entry- how exciting! Wanted to pass on some fun details of this term’s activities. First- I CANNOT believe I am here!!!! A forty-something career woman with crazy work, financial and familial responsibilities, who started a serious collegiate education four short years ago…..studying in OXFORD??? Solid proof that, indeed, ANYTHING is possible! I can share with you at least one impossibility, I guess….that there could be no happier person in Oxford than I. Can’t conceive of it! Although, I have caused some consternation in my neighborhood- mainly if I am insane or not, as I am always walking around with a huge smile on my face and saying, “Hello.” to everyone I meet. Still can’t believe I am here!

Second- what a truly fantastic treat to have a chance to really get to know my fellow Shimerian students here. It’s a day-to-day interaction I have missed in my Weekend Program experience, which I have truly relished here. Fantastic people, and I am honored to be able to call them my friends and Oxford family.

Third- We all went to see The Tempest in Stratford-Upon-Avon--which was a truly exciting adaptation of the work. Although there was some debate amongst us, I found the African setting absolutely fitting from a British colonial standpoint. The ending was a particularly powerful interpretation- the colonizers leave and Caliban, an elderly black man, once bent over, shackled and spiritually defeated, stands strongly upright, throwing off the cloak-of-oppression (literally), raising his arms and fists and face to the sky; once again full of honor and power that had seemingly been inherently there all along. Quite a moving elucidation.

Fencing, Part Deux

I went to see Lance fence against Cambridge with the Oxford team last Saturday (that's the team getting off the bus, Lance in his blazer). The two clubs have been holding an annual grudge match (not to put too fine a point on it) since 1898 (with a few years' gaps). The score now stands, I believe, at 52-50 in Cambridge's favor. So, it's a statistical deadlock, and in some ways that approximates my sense (as a mostly bewildered beginning observer) of how subtle are the factors that decide a point between two evenly matched fencers. I'd never attended a fencing match, and still couldn't tell you much about what went on, except that it was exhilerating. On each point, the two opponents would dance, toward and back, weapons hovering, sometimes touching, until one or both flashed toward the other into an apparently chaotic engagement of blades and bodies.

In the pictures that follow, that's Lance on the right, typically about to take the head off whichever hapless Cambridge man he was facing. You'll also see how even the camera had trouble keeping up with the action. As for me, after watching for upwards of two hours, I still couldn't decipher most of what was going on. That was the job of the Director, the woman in the undertaker's outfit. She was there to interpret the dully buzzing sirens that registered hits between opponents - a fraught occupation, especially when, as often happened, both lights sounded off simultaneously. When that happened, she would offer a kind of semaphoric pantomime of what had just passed, breaking it down into a formula of gestures she used to signal each fencer's changing momentum and direction along with the split-second attacks, parries and ripostes each had made during the clash. All of this she did to justify awarding the point to one or the other, or neither. Fencers on each side grumbled at her now and then, but they all seemed to respect her keen sight and judgment. I was agog. She could have been making the whole thing up for all I could see, but she had the aplomb of a Solomon.

But now, having paraded my ignorance of the sport, I should still urge on you that Lance was truly impressive out there. To begin with, the score would rise reliably in Oxford's favor every time he stepped onto the piste. But I also liked how he roused his teammates by keeping his cool, which rattled Cambridge no end (they threw at least one substitute fencer and plenty of razz at him, all to no avail). I find myself tempted to offer puns and innuendo here on the name "Lancelot," but it's pretty easy to resist as his talents deserve more than cheap effects. So, instead, here are a few more shots of him in action. (Maybe we can get him to offer a few comments on the photos and day on the blog here, and if not, you might look for his own write up of the event in the upcoming Symposium.)

The Tempest

We all went to see The Tempest in Stratford on Avon earlier this week. Here are some shots (taken on the sly, I'm afraid) from the upper gallery. As you can see, they set it in Africa. At the very least, it gave us much to discuss about the racial politics of the play and production both. This first shot is of Prospero, Ariel and the ghost of Sycorax, from Act I, scene i.















Here are Ariel, Alonso, Sebastien, Antonio and Gonzalo from Act III, scene iii.




















And the pageant Ariel and Prospero whip up for Ferdinand and Miranda in Act IV.

Let it Snow

Oxford looks very cozy under a fresh blanket of snow. But not everyone's been thrilled with the weather here lately. Apparently, it's been a twenty-year event to have had an overnight fall of two or three inches. Those of you in Chicago may scoff. We did a bit. But I also got at least one request for a "snow day."


Instead we had a snowball fight. That was right before we discovered we were raising a bit of a ruckus in our rooms in New College. We stumbled into the Conduit Room laughing and shouting only to discover a class already there. Ooops (not our fault, but a bit of a breech of decorum, I guess).

"Whilom ther was dwellynge at Oxenford

a riche gnof, that gestes heeld to bord" - i.e. a wealthy coot who took lodgers. Taking lodgers - such as I am this year - is a long tradition in Oxford (though my landlady is hardly a coot!). Where I am living was "whilom" not Oxford at all, but the countryside close by an outlying leper house and its chapel, called Bartelmas. Whilom, that is, as when the Miller in Geoffery Chaucer's Canterbury Tales opens his story to his fellow pilgrims with the lines I quote above. The Miller's Tale was part of our reading for class today, our first this term in the second half of our year-long survey of the Greatest Hits of the Western World (Integrative Studies 6).

For today's class, we were back at New College (see the second post, below). I should mention here that the college is "New" in that it was the second one built under the (official) name of "College of St. Mary." (The first College of St. Mary today goes more commonly under the name "Oriel," but that's another tale.) New College was founded in 1379 to educate a new generation of priests, of which there was a hard-felt shortage following the almost unthinkable devastation of the Black Death, here and across Europe and Asia, in the 1340s. So the first buildings at New College were just going up as Chaucer wrote the Miller's Tale (sometime between 1387 or so and 1400).

This morning, we were in the Conduit Room, just off the Front Quadrangle, laughing along with the Miller under the gazes of some of the College's past Fellows. The framed portraits each bore a caption, and - along with someone nicknamed "The Shirt" (?!) - there was one poor old soul identified as the "First Married." He appeared less than thrilled with the life, looking like one imagines the old coot of a landlord did by the end of the Miller's Tale. There, the riche gnof "hadde wedded newe a wyf" who was "wilde and yong," as the Miller tells us, and the apple of many an eye around Oxenford. One of her suitors was the "hende Nicholas," a gallant studying at one of the local colleges and the couple's lodger, who takes advantage of his landlord's absence one Monday when the latter goes off to do business at "Osneye." Hilarity ensues.

Osney today is just about a fifteen minute walk to the west of Oxford's town center, out over the river and canal to the west. It's also where most of the Shimer contingent have their lodgings this year. And while I'm not promising anything as memorably racy as the goings-on in the Miller's story, come back now and then this Spring, as we'll have further "new" tales of whilom around Oxenford.